Sat 21 September
SICK! Festival - The Nature Of Why
Improving Access to SICK Festival – Pay Between Scheme (£5-15)
SICK! Festival’s Pay Between Scheme is designed to reduce barriers to engaging with the arts for people on low incomes. We request that you take this into consideration when purchasing your ticket.
Recommended Price £15. Concessions £5. Everyone else – you decide!
* Ticket price on the door £15
British Paraorchestra and friends
Playfully fusing contemporary dance with a cinematic live-score by Goldfrapp’s Will Gregory, The Nature of Why smashes the divide between musicians, dancers and the audience, in a performance bursting with passion and joyous intensity.
Taking inspiration from the unconventional curiosity of theoretical physicist Richard Feynman, The Nature of Why explores his search for meaning in the world around us. The stage itself becomes a site of discovery as constantly shifting action invites audiences to seek out their own unique encounters; resulting in an epic and immersive theatrical experience like no other.
“This isn’t a performance you simply see or hear. It’s one you feel”. (Bristol 24/7)
Commissioned by Unlimited and performed by an ensemble of musicians from The British Paraorchestra, The Nature of Why is choreographed by Caroline Bowditch, conducted by Charles Hazlewood, and directed by Caroline Bowditch and Charles Hazlewood.
Produced by Paraorchestra and Friends.
The Nature of Why is composed by Will Gregory, choreographed by Caroline Bowditch, conducted by Charles Hazlewood, and directed by Caroline Bowditch and Charles Hazlewood.
Commissioned and supported by Unlimited, celebrating the work of disabled artists, with funding from Arts Council England. Produced by The Paraorchestra and Friends. First presented at Mayfest, Bristol, May 2018, in co-production with MAYK.
‘The joy created by this remarkable company is second only to the joy felt by those lucky enough to see The Nature of Why. This isn’t a performance you simply see or hear. It’s one you feel.’
“This show throws convention out of the window and begins to reshape the audience experience of classical music, bringing it closer to the individual. This is exciting. This could have lasting impact on an artform that is usually filled with convention and tradition. The Paraorchestra and Friends have found their place in the world and are just getting better and better.”
Trish Wheatley, Disability Arts Online
“it’s those moments where the beauty overwhelms to the point that you feel joyous tears trickling down your cheeks that makes The Nature of Why and an absolute must-see. After all, this work will hold you, tenderly, both in the moment and the days afterward”
Scott-Patrick Mitchell, Out in Perth
“Whoops and applause close the night, but the sharing lingers as simple human interaction in a communal space; a modern ode to joy”
The West Australian
“The Nature of Why is a remarkably coherent experience; it creates a space where people can feel comfortable and connected to others, nourishes our ears, bodies and minds whilst nestling itself in the cracks of our memories as we leave the stage in high spirits”
Writing about Dance